Plastic-based paper type. The most common paper type for printing colour images as it gives greater gloss potential than fibre-based papers (e.g. supergloss on Fujiflex).
R-type papers work in the opposite way to traditional papers. A transparency (positive) is projected onto reversal paper which thus develops a positive image.
Chloro-bromides share the features of all silver gelatin prints, giving deep rich blacks and crisp whites on a high gloss paper, as well as having good archival properties. Compared with silver bromides or silver chlorides, they have a warmer brownish-black tone.
A positive is, obviously, the opposite of a negative – that is, it is an image which is not reversed. Positive images are made through a double negative: silver salts react to light producing a negative which, when projected onto photographic paper (more silver salts), produces a positive.
Matt, gloss, supergloss, satin and pearl are all finishes available on different paper types. Satin and pearl are different names for the same finish (somewhere between gloss and matt).
Regarded as one of the best digital printers. It uses three lasers (Red, Green & Blue) to print digitised images onto traditional photographic paper. This allows consistent reproduction of large run editions with the same quality as traditional print techniques. This process typically uses C-type paper. Lambda on crystal archive: see Lambda and Fuji colour…
Selenium gelatin photogram: see photogram and selenium toning. Selenium toned gelatin print: See silver gelatin print and selenium toning. Selenium toned photogram: see photogram and selenium toning. Selenium toning: A type of toning using the metal selenium to replace silver salts. Used both for the aesthetic benefits of a slightly warmer tone and greatly improved archival properties
