Digital Inkjet
Digital printing that produces images directly on to the material (e.g. canvas or special paper surfaces) from a digital file through a stream of very fine dye drops controlled by the computer system. (See also Giclée prints)
Digital printing that produces images directly on to the material (e.g. canvas or special paper surfaces) from a digital file through a stream of very fine dye drops controlled by the computer system. (See also Giclée prints)
Also known as heliogravure, photogravure is arguably the finest photomechanical means of reproducing a photograph in large editions. Copper plates are acid-etched directly from an original silver print; the etched areas then hold differing amounts of ink in order to correspond to the tones of the original print. If prints remain untrimmed, the impression of…
Matt, gloss, supergloss, satin and pearl are all finishes available on different paper types. Satin and pearl are different names for the same finish (somewhere between gloss and matt).
A photogram is a photograph made without a lens or camera: objects are placed directly on top of a sheet of photographic paper which is then exposed to light. Where the objects obstruct the light, the paper remains unexposed (light in tone), while the rest darkens through exposure.
Selenium gelatin photogram: see photogram and selenium toning. Selenium toned gelatin print: See silver gelatin print and selenium toning. Selenium toned photogram: see photogram and selenium toning. Selenium toning: A type of toning using the metal selenium to replace silver salts. Used both for the aesthetic benefits of a slightly warmer tone and greatly improved archival properties
A stencil is made up for each colour of the image and put over a fine fabric mesh that is stretched over a metal frame. The coloured ink is spread over the mesh and stencil and the ink falls through the stencil to the underlying material (usually an art paper) to produce the image. The…
A sheet of transparent film coated with silver salts which react when exposed to light (usually in a camera). In black and white negatives, one layer of salts reacts to white light (the full spectrum of light). The result is a reversal of normal vision: the shadows are light, the highlights dark. In colour negatives…