A sheet of transparent film coated with silver salts which react when exposed to light (usually in a camera). In black and white negatives, one layer of salts reacts to white light (the full spectrum of light). The result is a reversal of normal vision: the shadows are light, the highlights dark. In colour negatives there are normally three layers, each reacting to red, green or blue light.
Digital printing that produces images directly on to the material (e.g. canvas or special paper surfaces) from a digital file through a stream of very fine dye drops controlled by the computer system. (See also Giclée prints)
A single image built up from several photographic prints.
Toning, or toned black and white: toning images allows an artist/printer to alter the colours of a photographic print (by replacing the silver in the silver salts with another metal). Toning can be used as an aesthetic decision by the artist, or it can also be used to improve the archival properties of a print….
Term used in multiples publishing when only a limited number of any print, book, sculpture or other artwork is produced. Editions can be limited to almost any number depending on the nature of the work.
A stencil is made up for each colour of the image and put over a fine fabric mesh that is stretched over a metal frame. The coloured ink is spread over the mesh and stencil and the ink falls through the stencil to the underlying material (usually an art paper) to produce the image. The…
Resin-based paper Plastic-based paper type. The most common paper type for printing colour images as it gives greater gloss potential than fibre-based papers (e.g. supergloss on Fujiflex). R-type paper R-type papers work in the opposite way to traditional papers. A transparency (positive) is projected onto reversal paper which thus develops a positive image.
