Giclée

Although it may seem too obvious to mention, may people are unaware of what exactly constitutes a print. Put simply, a print is a method of image-making that allows the work of art to be created more than once. The size of the edition (i.e.the number of prints produced of the one work), the significance…

A positive is, obviously, the opposite of a negative – that is, it is an image which is not reversed. Positive images are made through a double negative: silver salts react to light producing a negative which, when projected onto photographic paper (more silver salts), produces a positive.

Chloro-bromides share the features of all silver gelatin prints, giving deep rich blacks and crisp whites on a high gloss paper, as well as having good archival properties. Compared with silver bromides or silver chlorides, they have a warmer brownish-black tone.

Digital printing that produces images directly on to the material (e.g. canvas or special paper surfaces) from a digital file through a stream of very fine dye drops controlled by the computer system. (See also Giclée prints)

Regarded as one of the best digital printers. It uses three lasers (Red, Green & Blue) to print digitised images onto traditional photographic paper. This allows consistent reproduction of large run editions with the same quality as traditional print techniques. This process typically uses C-type paper. Lambda on crystal archive: see Lambda and Fuji colour…

Digital colour coupler Colour coupler prints, or chromogene prints, are very similar to standard C-type prints, but the silver salts ‘couple’ with coloured dyes, rather than being replaced by them. The end result is very similar to standard C-type prints. Colour coupler prints have the benefit of using the same extremely light-sensitive silver salts as…