A sheet of transparent film coated with silver salts which react when exposed to light (usually in a camera). In black and white negatives, one layer of salts reacts to white light (the full spectrum of light). The result is a reversal of normal vision: the shadows are light, the highlights dark. In colour negatives there are normally three layers, each reacting to red, green or blue light.
Term used in multiples publishing when only a limited number of any print, book, sculpture or other artwork is produced. Editions can be limited to almost any number depending on the nature of the work.
Different types of photographic paper have varying degrees of susceptibility to fading over time. The main cause of this is exposure to UV (ultra violet) light, although humidity, temperature, pollution and acidity are all contributing factors. Exposure to direct sunlight should be avoided, and UV-resistant glass can be used when framing.
Selenium gelatin photogram: see photogram and selenium toning. Selenium toned gelatin print: See silver gelatin print and selenium toning. Selenium toned photogram: see photogram and selenium toning. Selenium toning: A type of toning using the metal selenium to replace silver salts. Used both for the aesthetic benefits of a slightly warmer tone and greatly improved archival properties
Matt, gloss, supergloss, satin and pearl are all finishes available on different paper types. Satin and pearl are different names for the same finish (somewhere between gloss and matt).
A stencil is made up for each colour of the image and put over a fine fabric mesh that is stretched over a metal frame. The coloured ink is spread over the mesh and stencil and the ink falls through the stencil to the underlying material (usually an art paper) to produce the image. The…