A particular type of reversal (R-type) colour paper and printing process which gives strong colours (often with striking reds) and creates a long-lasting print. Printing in this way from a positive image results in exactly the same colour saturation as the original, and greater contrast.
A positive is, obviously, the opposite of a negative – that is, it is an image which is not reversed. Positive images are made through a double negative: silver salts react to light producing a negative which, when projected onto photographic paper (more silver salts), produces a positive.
Different types of photographic paper have varying degrees of susceptibility to fading over time. The main cause of this is exposure to UV (ultra violet) light, although humidity, temperature, pollution and acidity are all contributing factors. Exposure to direct sunlight should be avoided, and UV-resistant glass can be used when framing.
The autochrome is an early color photography process, patented the 17th December 1903 by Auguste and Louis Lumière. Before the commercialization, they diffused the autochrome technique to some favored photographers, like Sergey Prokudin-Gorsky. The commercialization started in 1907 and the technique was used between 1907 and about 1932. A lot of photos of the First World…
Also known as heliogravure, photogravure is arguably the finest photomechanical means of reproducing a photograph in large editions. Copper plates are acid-etched directly from an original silver print; the etched areas then hold differing amounts of ink in order to correspond to the tones of the original print. If prints remain untrimmed, the impression of…
Chloro-bromides share the features of all silver gelatin prints, giving deep rich blacks and crisp whites on a high gloss paper, as well as having good archival properties. Compared with silver bromides or silver chlorides, they have a warmer brownish-black tone.
